ONCURATING

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Issue 65 / July 2026

if walls could tell – East-Central European Perspectives on Participation

by Zoran Erić, Mischa Kuball, Dorothee Richter and Simone Voigt

Editorial

by Simone Voigt

if walls could tell – The Birth of a Museum Community in Sarajevo

by Dorothee Mosters

Tracing

by Blanca de la Torre

Porous Walls: Curating Participation, Repair, and Ecological Care

by Zoran Erić

Participatory Art as a Practice of Commoning

1 – Sarajevo

by Senka Ibrišimbegović

if walls could tell: A Participatory Stage for Urban Expression

by Damir Nikšić

Creating and Curating a Cultural Community

by Mirsad Sijarić

Visions from the Past

by Benjamin Čengić

If Walls Could Tell, They Would Speak the Truth of the Community

by Elma Hašimbegović

Walk Through Walls

2 – Bucharest

by Horea Avram

On Monument, Participation and Collective Memory

by Alina Șerban

Tapping the Bottom of Reality

by Ruxandra Demetrescu

Rethinking the Functions of the Museum from Its Origins to the Present Day

by Călin Dan

T. A. Z.

by Virgil Ștefan Nițulescu

Always Changing Museum

3 – Skopje

by Sofia Grigoriadou

Out of Place in Constantly Changing Cities

by Slobodanka Stevceska

Artistic Practices in a Shifting Public Sphere

by Vladimir Janchevski

Contemporary Art and the Tries to Reclaim Public Space: Is There Any Space Left for Re-thinking the Contemporary?

by Nebojša Vilić

The ‘Cloud’ Culture of Clouded Modernity

4 – Chișinău

by Lilia Dragneva

Emergent Institutionalization and Access to Public Space: Participatory Artistic Practices in Post-Socialist Chișinău

by Vladimir Us

Connecting the Dots

by Ştefan Rusu

Socialist Architecture as a Common Value and Public Space as a Heritage

by Lilia Nenescu

Access to Gardening in Public Spaces in Chișinău

by Ovidiu Ţichindeleanu

Issues Raised Anonymously by the Participants of the Forum A New Center for Contemporary Arts – What Is It Good For?

5 – Ljubljana

by Apolonija Šušteršič

Participating Demonstrating

by Mojca Puncer

Participatory Art as an Act of Care

by Eda Čufer

Reflections on if walls could tell

6 – Kraljevica

by Igor Eškinja

Choreography of Exposure

by Lina Franko and Andi Slawinski

if walls could tell: On Site-Specific Publicness and Collective Articulation

by Branka Benčić

Old Factory New Capital: The Museum of Modern and Contemporary Art in Rijeka (MMSU)

by Sanja Bojanić

A Note from the Wall: a gdje si ti?

7 – Čačak

by Mariela Cvetić

The Upcoming Community: if walls could tell

by Bojan Djordjev

Contested Public Space

by Predrag Živković

Even the Walls of Čačak Speak

by Jasmina Čubrilo

Some Theses on Participatory Art in Relation to Misha Kuball’s project if walls could tell

Acknowledgements

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