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Issue 55

Curating Dance : Decolonizing Dance

Curating Dance : Decolonizing Dance is one of the first publications within an international context to deal with the curation of dance as a performative art as well as a sociocultural practice. With this issue, we aim to develop the relevant theoretical and methodological foundations of curating dance with a particular focus on decolonization in the field of performing arts.

Contributions by Miriam Althammer, Rainy Demerson, Kai van Eikels, Gurur Ertem, Jörn Etzold, Sigrid Gareis, Nicole Haitzinger, jackï job/Rolando Vázquez Melken, Gwendolin Lehnerer, Kirsten Maar, Ong Keng Sen, Jay Pather (with Choy Ka Fai, Sigrid Gareis, Lia Rodrigues and Jessica Lauren Elizabeth Taylor), Amanda Piña, Michiel Vandevelde

by Sigrid Gareis, Nicole Haitzinger and Jay Pather

Editorial "Curating Dance: Decolonizing Dance"

by Sigrid Gareis

What Is a Curator in the Performing Arts?

by Nicole Haitzinger

Curating Dance: On est ensemble? Expanded Choreography and Vulnerability

by Gwendolin Lehnerer

Transdisciplinary Curation in the Performing Arts

by Gurur Ertem

Promises and Pitfalls of “Political” Curating in Live Arts

by Kirsten Maar

How to Do Things with Care: Feminist Curating in Dance

by Sigrid Gareis and Nicole Haitzinger

The Artist as Curator/The Curator as Artist. Interview with Michiel Vandevelde

by Rainy Demerson

Artistic Reparations: The Curious Curation of African Contemporary Dance

Jay Pather with Choy Ka Fai, Sigrid Gareis, Lia Rodrigues, and Jessica Lauren Elizabeth Taylor

Twists: Dance and Decoloniality

A conversation between jackï job and Rolando Vázquez Melken

Nurturing the Relational Body: Decolonizing Dance Pedagogies

by Amanda Piña

Choreography as Curation, Curation as Cure

by Miriam Althammer

Dance House Organisms: Reflections on Institutional Ecologies (for a Future Dance House in Europe)

by Ong Keng Sen

The Practice of Planetary Care and the No-thing that Remains: An Exercise in Co-Thinking Contemporary Art Exhibitions and Dance Festivals

by Jörn Etzold

Dramaturge, Curator, Post-Dramaturge: Towards a Change of Paradigm in German-Speaking Theatre and Dance Institutions and Infrastructures

by Kai van Eikels

Replacing Institution with Infrastructure: An Approach to Collective Curating

Imprint

Issue 55

Curating Dance : Decolonizing Dance

by Sigrid Gareis, Nicole Haitzinger and Jay Pather

Editorial "Curating Dance: Decolonizing Dance"

by Sigrid Gareis

What Is a Curator in the Performing Arts?

by Nicole Haitzinger

Curating Dance: On est ensemble? Expanded Choreography and Vulnerability

by Gwendolin Lehnerer

Transdisciplinary Curation in the Performing Arts

by Gurur Ertem

Promises and Pitfalls of “Political” Curating in Live Arts

by Kirsten Maar

How to Do Things with Care: Feminist Curating in Dance

by Sigrid Gareis and Nicole Haitzinger

The Artist as Curator/The Curator as Artist. Interview with Michiel Vandevelde

by Rainy Demerson

Artistic Reparations: The Curious Curation of African Contemporary Dance

Jay Pather with Choy Ka Fai, Sigrid Gareis, Lia Rodrigues, and Jessica Lauren Elizabeth Taylor

Twists: Dance and Decoloniality

A conversation between jackï job and Rolando Vázquez Melken

Nurturing the Relational Body: Decolonizing Dance Pedagogies

by Amanda Piña

Choreography as Curation, Curation as Cure

by Miriam Althammer

Dance House Organisms: Reflections on Institutional Ecologies (for a Future Dance House in Europe)

by Ong Keng Sen

The Practice of Planetary Care and the No-thing that Remains: An Exercise in Co-Thinking Contemporary Art Exhibitions and Dance Festivals

by Jörn Etzold

Dramaturge, Curator, Post-Dramaturge: Towards a Change of Paradigm in German-Speaking Theatre and Dance Institutions and Infrastructures

by Kai van Eikels

Replacing Institution with Infrastructure: An Approach to Collective Curating

Imprint