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Issue 49

Decolonial Propositions

by Jyoti Mistry and Nkule Mabaso

Introductory Comments: initiatives and strategies

On Art Institutions

by Jyoti Mistry and David Andrew

ArtSearch: Punch and Judy, Pavements and Ponzi Schemes

by Zen Marie

The Paradox of the Art School in a University

by Bongani Mkhonza

Relocating the Centre: Decolonising the University Art Collections in South Africa

by Unathi Kondile

Ukuqhuqh Inkwethu yobuKoloniyali: Getting Rid of the Thick Layer of Colonial Dandruff on our Heads

by Bekele Mekonnen

Reshaping Wax: Addis Ababa—the Alle School of Fine Arts and Design

Interview: Henri Kalama by Ruth Sacks

Painting in the Democratic Republic of the Congo: Culture and Identity

Interview: Miguel Marrengula by Nkule Mabaso

Building a School of Thought, the Case for ISADEL Mozambique

Photo Gallery

On Artistic Practice

by jackï job

Butoh and the Third Space: Inhabiting Difference and Difficulty in Academia and the Performing Arts in South Africa

by Sharlene Khan

I Make Art – Voicing Voice, Speaking Self and Doing Criticality

Interview: Nwabisa Plaatjie by Lindokuhle Nkosi

Land as Milk: The Body as a Border

Interview: Nomcebisi Moyikwa by Linda Makgabutlane

Qash-Qash: One Mirror Image of Black Womanhood

by Nomusa Makhubu

Performing Blackface: Reflections on Zanele Muholi’s Somnyama Ngonyama

by Nobunye Levin

Willful Walking

by Nduka Mntambo

Decartographical Sketches

by Jay Pather

Caught up in Multiply-Layered Skirts or What’s a Stripper Doing in Julius Caesar ?

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