ONCURATING

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Issue 60

(C)overt Political Shifts in Art and Curating

Ronald Kolb and Dorothee Richter

Editorial "(C)overt Political Shifts in Art and Curating"

A conversation with Bill Balaskas, Or Tshuva and Stephen Walker

Scanning the Horizon in Turbulent Times: Participatory Public Art as a Counter-space

Dorothee Richter

Interview with the curatorial team of the São Paulo Bienal 2025

Vivian Zavataro

Interview with Apsara DiQuinzio

Mary Lilith Fischer

Istanbul’s Cultural Scene in 2024. Interviews with Kaya Genc, Derya Yücel, Ulas Parkan, Ayşegül Yapar, and Begum Celik

Interview by Elisabeth Eberle and Hannah Winters

Who is Hulda Zwingli? What does the name Hulda Zwingli stand for?

Anastasiia Biletska

Interview with Olesya Drashkaba

The Organ of the Autonomous Sciences

“The Passion of Freemen”: Towards a Nashist Aesthetics

Elif Carrier

Interview with Eylem Delikanlı, director of Memory Museum for Historical Justice on the exhibition Past is Present at Tütün Deposu, Istanbul

Lynn Guo

Censorship, community and the search for identity in contemporary art: a conversation with Avi Feldman

Alita De Feudis and Zahira Mozafari

When the Past becomes a Foreign Country

Interviewed by Frances Melhop and Maria Sorensen

The Neighborhood Guilt Quilt Georgia Lale

A conversation with Baltensperger + Siepert and Evgeniia Dietner-Kostinskaia

On Migration and Identity and Working Together as an Artistic Practice

by Daniela Minneboo

Interview with Cesy Leonard, Radical Daughters

by Maria Sorensen

Rufina Bazlova

by Del Barrett

Buried in Baden – Frauenmuseum (Women’s Museum)

by Hannah-Maria Winters

The AfD Ban by Center for Political Beauty—A Description of the Operation

by Gürsoy Doğtaş

Don’t f*** with me! Fragments of Negative Affects: On Right-Wing Extremism Among White Gay Men and Art

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