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II. THE DIGITAL EXHIBITION COMPLEX. FROM IMMERSIVE ENVIRONMENTS TO MARKET ECOLOGIES

Issue 63 / December 2025

Paraverse. Digital Transformation in Curating, Exhibiting, and Collecting

by Birgit Mersmann and Hauke Ohls

Editorial Paraverse. Digital Transformation in Curating, Exhibiting, and Collecting

I. THE DIGITAL MEDIATION COMPLEX. PARAVERSING MUSEUM COLLECTIONS

by Lucas Burkart

Cultural Heritage in the Digital Age—Some Considerations and a Use Case

by Jacob Franke and Martin Zavesky

Digital Formats for Analogue Objects at the Staatliche Kunstsammlungen Dresden

by Florian Wiencek

Holistic Museum Experiences with Augmented Reality

by Manuel Rossner

Pietra Leccese. A Visual Essay

by Dorothee Richter

(Un)Real Worlds of Digital Curating

II. THE DIGITAL EXHIBITION COMPLEX. FROM IMMERSIVE ENVIRONMENTS TO MARKET ECOLOGIES

by Birgit Mersmann

Frameless. Para-Sites of Immersive Art Exhibitions in the Ateliers des Lumières

by Lívia Nolasco-Rózsás

Beyond Matter. An Inquiry into the Modes of Exhibition Practices in the Virtual Condition

by Peggy Schoenegge

Ctrl + Curate: About Online Exhibitions

by Hauke Ohls

Virtual Worlds and Digital Ecology in the Exhibitionary Internet Complex: Jakob Kudsk Steensen’s Berl-Berl and Boreal Dreams

by Nina Roehrs

DYOR—Making Sense of the Crypto Art World

An Interview with Pau Waelder led by Rebecca Partridge

NFTs and the Crypto Art Market

III. THE AI COMPLEX. QUEERING HUMAN AND MACHINE CURATION

An Interview with Xi Li (Aiiiii Shanghai) led by Birgit Mersmann and Hauke Ohls

“All that is solid is melting.” Curating and Exhibiting AI Art

An Interview with Răzvan Ion led by Nicolas Flessa

Art Between Human and AI. The Unexpected Potential of a Collaborative Partnership

Răzvan Ion

The Queer Multiverse of Critical Thinking Radical AI

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