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Issue 31 / July 2016

Spheres of Estrangement: Art, Politics, Curating

Matthew Hanson

Editorial

Anke Hennig

Estrangement A Retro-Vision for 2016

A conversation between Franco ‘Bifo’ Beradi and Penny Rafferty

Society’s Richer Yet She’s Thin as a Rake.

by Josephine Baker-Heaslip

Halfway

Jonas Becker, Dan Bustillo, Joey Cannizzaro, Claire Ruud

Like when the teacher leaves the classroom: A conversation about artist-run programming within exhibitions

Alistair Hudson, Jeni Fulton, Paul Stewart and Sam Thorne.

Recuperation of Art and Activism. An e-mail correspondence.

Ken Gonzales-Day

Lilian Cameron, Suzana Milevska, Jared Pappas-Kelley, Adrian Shaw, Paul Stewart

Propositions: Applying Estrangement through Art, Learning and Curatorial Frameworks

Alison Hugill in conversation with Carson Chan

Curating Architecture: The Architecture of Estrangement

Jack Schneider

Call of Cthulhu

Penny Rafferty and PUNK IS DADA

Vampires from Aesthetics to Ethics—1922 to the Present

Imprint

Matthew Hanson

Editorial

Anke Hennig

Estrangement A Retro-Vision for 2016

A conversation between Franco ‘Bifo’ Beradi and Penny Rafferty

Society’s Richer Yet She’s Thin as a Rake.

by Josephine Baker-Heaslip

Halfway

Jonas Becker, Dan Bustillo, Joey Cannizzaro, Claire Ruud

Like when the teacher leaves the classroom: A conversation about artist-run programming within exhibitions

Alistair Hudson, Jeni Fulton, Paul Stewart and Sam Thorne.

Recuperation of Art and Activism. An e-mail correspondence.

Ken Gonzales-Day

Lilian Cameron, Suzana Milevska, Jared Pappas-Kelley, Adrian Shaw, Paul Stewart

Propositions: Applying Estrangement through Art, Learning and Curatorial Frameworks

Alison Hugill in conversation with Carson Chan

Curating Architecture: The Architecture of Estrangement

Jack Schneider

Call of Cthulhu

Penny Rafferty and PUNK IS DADA

Vampires from Aesthetics to Ethics—1922 to the Present

Imprint

oncurating.org is an independent international journal (both web and print) focusing on questions around curatorial practise and theory.

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Supported by the Postgraduate Programme in Curating, Institute for Cultural Studies in the Arts (ICS), Zurich University of the Arts (ZHdK)

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